Elliott ErwittNew York City, 2000 - Elliott Erwitt (Black and White Photography)
About the Item
- Creator:Elliott Erwitt (1928, American)
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
- More Editions & Sizes:16 x 20 inchesPrice: $9,50020 x 24 inchesPrice: $10,50030 x 40 inchesPrice: $16,500
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: G12091488260
Elliott Erwitt
Elliott Erwitt's original photography, journalistic essays, illustrations and advertisements have been featured in publications around the world for over forty years.
Erwitt was born in France to émigré parents in 1928. His formative years were spent in Italy. At the age of 10, he moved with his family back to France and emigrated to the United States in 1939, settling in New York for two years and then transferring to Los Angeles.
In the early 1950s, Erwitt moved to New York City by way of Pittsburg, Germany and France (the last two locations courtesy of the United States Army). He settled in New York for good, establishing his fundamental base of operations ...although "settling" in Erwitt parlance meant "where you are at the moment for as long as you don't go somewhere else."
Flexibility and adaptation to the requirements of the profession and personal interests kept Erwitt moving around the globe before returning to New York. While attending Hollywood High School Erwitt worked in a commercial darkroom processing "signed" prints for fans of movie stars. In 1949 he returned to Europe. He traveled and took photographs in Italy and France thus making the start of his professional career.
Drafted into the US Army in 1951, Erwitt took photographs for various publications in addition to fulfilling his military duties while stationed in New Jersey, Germany and France. By good fortune, while looking for work on exploratory trips to New York City before the start of his military service, he met Edward Steichen, Robert Capa and Roy Stryker who liked his photographs and took a personal guiding interest becoming significant mentors.
In 1953, freshly decommissioned from military service, Erwitt was invited to join Magnum Photos as a member by its founder Robert Capa. In 1968 he became president of the prestigious agency for three terms. Erwitt continued for decades to be an active member and one of the leading figures in the competitive field of photography.
While continuing his work as a stills photographer Erwitt began making films in the 1970s. His documentaries include Beauty Knows No Pain (1971), Red White and Blue Grass (1973) sponsored with a grant from the American Film Institute, and The Glass Makers of Herat (1977). In the '80s Erwitt produced seventeen comedy and satire programs for HBO. From the '90s onward, he continued to lead a remarkably varied professional life encompassing many disparate aspects of photography.
While actively working for magazine, industrial and advertising clients Erwitt devoted all of his spare time to creating books and exhibitions of his work destined for galleries and museums.
Find original Elliott Erwitt portrait photography and other photography on 1stDibs.
(Biography provided by PDNB Gallery)
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Audrey Hepburn, 1967 (Terry O'Neill - Black and White Photography)By Terry O'NeillLocated in London, GBAudrey Hepburn, 1967 (Terry O'Neill - Black and White Photography) Silver Gelatin Print 16x20: £2,100 20x24: £2,700 30x40: £4,800 48x72: £12,000 Edition of 50 and 10 APs per size....Category
Late 20th Century Black and White Photography
MaterialsSilver Gelatin
- Mainbocher Corset, Paris, 1939 - Horst P. Horst (Black and White Photography)By Horst P. HorstLocated in London, GBHorst P Horst (1906-1999) Mainbocher Corset, Paris, 1939 Signed on reverse Silver gelatin print 14 x 11 inches Round the Clock is endowed with fastidious precision and the enigmatic ambiance of a characteristic Horst image. The chiaroscuro befalling the legs from ankle to suspender compounds a sense of drama instantly recognisable to those familiar with the artist’s fashion...Category
Early 20th Century Black and White Photography
MaterialsSilver Gelatin
- Ella Fitzgerald, 1961 (Ted Williams - Black and White Photography)By Ted WilliamsLocated in London, GBElla Fitzgerald, 1961 (Ted Williams - Black and White Photography) Silver Gelatin Print 16x20: £1,200 20x24: £2,640 30x40: £3,960 40x60: £7,500 Est...Category
Late 20th Century Black and White Photography
MaterialsSilver Gelatin
- USA, Los Angeles, California 1955 - Elliott Erwitt (Black and White Photography)By Elliott ErwittLocated in London, GBUSA, Los Angeles, California 1955 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed l...Category
Late 20th Century Photography
MaterialsSilver Gelatin
- USA, New York City, 1954 - Elliott Erwitt (Black and White Photography)By Elliott ErwittLocated in London, GBUSA, New York City, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Ava...Category
Late 20th Century Photography
MaterialsSilver Gelatin
- Tony Bennett, 1961 (Ted Williams - Black and White Photography)By Ted WilliamsLocated in London, GBTony Bennett, 1961 (Ted Williams - Black and White Photography) Silver Gelatin Print Estate-stamped and numbered on reverse. Edition of 25 per size. Amer...Category
Late 20th Century Black and White Photography
MaterialsSilver Gelatin
- 'Derby Spectator' Limited Edition Oversize Silver Gelatin PrintLocated in London, GBDerby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 20 x 24" p...Category
1920s Modern Figurative Photography
MaterialsSilver Gelatin
- Young Competitors (1925) - Silver Gelatin Fibre PrintLocated in London, GBYoung Competitors (1925) - Silver Gelatin Fibre Print (Photo by MacGregor/Topical Press Agency/Getty Images) 11th August 1925 Three young competitors arriving at the courts for th...Category
1920s Modern Figurative Photography
MaterialsBlack and White, Silver Gelatin
- Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958By Ansel AdamsLocated in Santa Fe, NMAnsel Adams, Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958. Printed 1981. Gelatin silver print. Southwest landscape photography. Signed on mount recto by the artist.Category
Mid-20th Century Black and White Photography
MaterialsSilver Gelatin
- QuerelleBy Andy WarholLocated in Santa Monica, CAThis work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation ...Category
1980s Pop Art Portrait Photography
MaterialsSilver Gelatin
- Basquiat photograph 1979 (Basquiat Gray)By Nicholas TaylorLocated in NEW YORK, NYRare 1979 Photograph of Jean Michel Basquiat: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring hi...Category
1980s Pop Art Photography
MaterialsSilver Gelatin
- Jean-Michel Basquiat photograph by Nick Taylor of GrayBy Nicholas TaylorLocated in NEW YORK, NYJean Michel Basquiat photograph 1979; This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches. Hand singed and numbered in the margins from an edition of 5 A/P's. Good to very good overall vintage condition, with the exception of some minor surface waving commensurate with medium. Provenance: Obtained directly from artist. Lot 180 Gallery New York is a primary dealer rep of Nicholas Taylor. Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...Category
1980s Contemporary Figurative Photography
MaterialsSilver Gelatin
